Historically when people have been scared and nervous, there's been an uptick in science fantasy horror. You're telling allegorical tales and shining a light back on society.

Historically when people have been scared and people have been nervous, there's been an uptick in science-fiction, fantasy and horror. It happened in the '50s with the Red Scare and the Space Race and all of that. And there usually is a correlation between (events and fiction that follows). You're telling allegorical tales and you're shining a light back on society, and it's a way to talk about what's going on but from a sideways angle.

In science fiction, historically, you're telling allegorical tales. You're shining a light back on society -- what's happening now. It's a way to talk about what's going on, but from a sideways angle.

What recently happened in London, what's going on in Iraq and the West Bank -- people are scared. Historically, when people have been scared and people have been nervous, there's been an uptick in science fantasy horror. It happened in the '50s with the Red Scare and the space race. . . . You're telling allegorical tales and shining a light back on society. . . . It's a way to talk about what's going on, but from a sideways angle.

[In a tumultuous world, science fiction and horror series are a spin on current events.] It's obviously in the zeitgeist, ... You're telling allegorical tales, and you're shining a light back on society - what's happening now - and it's a way to kind of talk about what's going on, but from a sideways angle.

I got nervous when I didn't know where we were. I was so scared that he was going to kill me. He said he was going to take me back home, but then he said maybe he wouldn't.