He loved happiness like I love tea.

I didn't hit other people or hit purposefully, I just hit. Some object would be at fault. My anger was at myself, every time, all vanity. As an adolescent I was a slammer of drawers and a packer of suitcases. I was responsible for scenes.
Control came imperfectly to all of us: we reached it at different times of life, frustrated, shot into indignation, by different things - some that are grown out of, and others not.
Of all my strong emotions, anger is the one least responsible for any of my work. I don't write out of anger. For one thing, simply as a fiction writer, I am minus an adversary - except, of course, that of time - and for another thing, the act of writing in itself brings me happiness.

I'm a great reader that never has time to read.

Our Victrola stood in the diningroom. I was allowed to climb onto the seat of a diningroom chair to wind it, start the record turning, and set the needle playing. In a second I'd jumped to the floor, to spin or march around the room as the music called for - now there were all the other records I could play too. I skinned back onto the chair just in time to lift the needle at the end, stop the record and turn it over, then change the needle. Winding up, dancing, being cocked to start and stop the record, was of course, all in one the act of listening. Movement must be at the very heart of listening.

A whole tree of lightning stood in the sky. She kept looking out the window, suffused with the warmth from the fire and with the pity and beauty and power of her death. The thunder rolled.

It was entirely taken for granted that there wasn't any lying in our family, and I was advanced in adolescence before I realized that in plenty of homes where I played with schoolmates, and went to their parties, children lied to their parents and parents lied to their children and to each other. It took me a long time to realize that these very same everyday lies, and the stratagems and jokes and tricks and dares that went with them, were in fact the basis of the scenes I so well loved to hear about and hoped for and treasured in the conversation of adults. My instinct - the dramatic instinct - was to lead me, eventually, on the right track for a storyteller: the scene was full of hints, pointers, suggestions, and promises of things to find out and know about human beings.I had to grow up and learn to listen for the unspoken as well as the spoken - and to know a truth, I also had to recognize a lie.