He comes over and lifts the foil off the pan. I can see that it is golden and crispy, and the scent of vanilla and butter wafts up at me. Elliot grabs two forks from the bin on the counter and hands one to me.
"I'll grab some plates."
"Don't bother. It's just us," he says, and digs right in. What the hell. I aim for a particularly crusty bit on the edge.
"Oh my, that is amazing," I say. It is perfectly balanced, rich but not heavy, just the teeniest bit of chew left in the bread, vanilla and butter and... something else...
"Toffee. Crushed-up Heath Bars in the middle.

Elliot, that was amazing." The meal has been spectacular. We started with a salad of fennel, golden beets, and grapefruit. He did a veal roast with a classic shallot-cognac pan sauce, smooth with butter and brightened with thyme and parsley, the meat perfectly cooked, still rosy in the middle, with a great crisp brown sear on the outside. An interesting dish of fregola, toasted pearl pasta that is one of my favorite ingredients, cooked with sweet corn he charred on the grill, and chives. And simple steamed asparagus. Everything cooked perfectly, well seasoned, and full of soul.

On the coffee table is a bottle of Madeira, a plate of dark chocolates, a bowl of tiny tangerines. He opens a lower cabinet to reveal that it is a mini fridge, and brings over two plates that each have a slice of what looks like flan, dark at the top from being baked with caramel.
He hands me a plate and fork, and pours me a glass of wine.
I take a bite. And my eyes snap open.
"Gateau de semoule?" I say in disbelief.
"Mais oui, mademoiselle, bien sur." He smiles. "I thought you might like it."
"I adore it. And I haven't had it in years." The very French dessert is essentially baked creme caramel-type custard, thickened with semolina for an amazing texture and added nuttiness. There are juicy golden raisins, which I believe he has soaked in rum, and the caramel you make for the bottom of the baking dish turns itself into a light sauce when you unmold it. It is the kind of dessert that any French maman would make on a weeknight for dessert. Unfancy, unfussy, and completely comforting and delicious.

He opens a lower cabinet to reveal that it is a mini fridge, and brings over two plates that each have a slice of what looks like flan, dark at the top from being baked with caramel.
He hands me a plate and fork, and pours me a glass of wine.
I take a bite. And my eyes snap open.
"Gateau de semoule?" I say in disbelief.
"Mais oui, mademoiselle, bien sur." He smiles. "I thought you might like it."
"I adore it. And I haven't had it in years." The very French dessert is essentially baked creme caramel-type custard, thickened with semolina for an amazing texture and added nuttiness. There are juicy golden raisins, which I believe he has soaked in rum, and the caramel you make for the bottom of the baking dish turns itself into a light sauce when you unmold it. It is the kind of dessert that any French maman would make on a weeknight for dessert. Unfunny, unfussy, and completely comforting and delicious.

Look, Jenna, it isn't like Wayne is perfect. Our crew is a bunch of overgrown misfit children. Wayne had it the worst growing up, but we all had the unpopular weirdo freak thing in one way or another. I like to think that a combination of decent brains and a fairly good sense of humor kept us all from becoming tragic situations."
"You mean criminals and meth heads?"
Elliot laughs. "Exactly. And at a certain level, I think we all cling to our weirdness because it insulates us from trying to fit in and failing.

Milk and cookies, anyone?" Elliot reappears from the kitchen with a large platter of chocolate chip cookies, and a little wire holder containing a dozen little milk bottles with striped paper straws, that turn out to contain vanilla malted milk shakes.
"Elliot, these are amazing," I say, slurping the bottom of my bottle.
"No one ever thinks about malt in vanilla, but I like it better than chocolate.