Getting the call from Ridley Scott made me think that sometimes you just need to go to work.

There's a certain relief to just being the guy who puts on the costume and walks onset and gets to prance or stomp around in a Ridley Scott or Baz Luhrmann movie.

The biggest difference for me is momentum. On a smaller film you get to shoot sometimes four or five scenes a day and you've got to do the tight schedule. I think I really feel the luxuries of a big budget film.

Sometimes I think being an actor is like being a dog for a director; it's like they throw a stick, and you want to fetch it and bring it back to them. You want a pat on the head for it.

All I can say is working with Ridley Scott is a dream come true.

I would have happily done 'Bourne Legacy,' but a lot of decisions are made for you.