From the very moment of Kanga's appearance the pastoral playground is overshadowed by doubt and guilt, for the all-too-loving anima-Woman has pitched her temple here!

But with whom, in the Pooh world, could a sexually and politically aroused Kanga speak?

No less instructive is the story, 'Pooh Goes Visiting,' in which Rabbit, having deceitfully offered Pooh admittance to sample his overstocked larder, artfully traps his victim in the doorway and exploits him as an unsalaried towel rack for an entire week.

Now, 'that sort of Bear' is of course a bear who wants to be flattered, and it is plain that the Christophoric ear is using Pooh to make its own devious request that it (the ear's projection, 'Christopher Robin') be made the center of attention. The Milnean voice, however, in its didactic-paternal role, is unprepared simply to feed the self-love of the Christophoric ear; it (the voice) must also see that it (the ear) is properly edified in a moral sense. The stories, therefore, will express a vector of the two forces pleasing and teaching the Christophoric ear.

"Little magazines" are, for the most part, the mayflies of the literary world.

Did you ever stop to think, and forget to start again?