For two hours, Hoffman just sits there, using his type writer. Sure there are a bunch of different camera angles, but it's just Hoffman sitting there not saying a word.

In the editing room, 20 percent of the time you're using stuff from before the actor knew the camera was rolling or you're taking a line from somewhere else and putting it in his mouth.

You don't rehearse jazz to death to get the camera angles.

My parents used to talk about Sergio Leone films a lot. And I got really into them. I love Clint Eastwood. I love the camera angles. I love the music.

Sean's a great, great writer.

We have to take a look at what it might take. I'm not sure that that type of a frontal ground assault is what we might be doing. It might eventually take a substantial number of troops,