For me [Buffy] was about your teenage years but it was again the whole experience, the same situations you get into as an adult. Especially for the geeks of the world. It was about being separate but being triumphant in your separateness.

Science fiction is like a blender - you can put in any historical experience and take influences from everything you see, read or experience.

I go to movies expecting to have a whole experience. If I want a movie that doesn't end, I'll go to a French movie. That's a betrayal of trust to me. A movie has to be complete within itself; it can't just build off the first one or play variations.

I designed 'Buffy' to be an icon, to be an emotional experience, to be loved in a way that other shows can't be loved. Because it's about adolescence, which is the most important thing people go through in their development, becoming an adult.

I took the overreaching arc I was headed toward in the TV show and made that the plot of the movie, ... I had to jettison or streamline plenty of things. It's two totally different mediums, and you've got to respect that. A TV show can kind of meander its way along and find a little piece of something for everybody. A movie is more about the momentum of the main story.

My dad would go to work every day and write in a room full of funny people. He enjoyed it. I know great writers who find the process agonising but to me, writing has always been sheer joy.