For me 'Dune' was a dream - a big dream!

For me, surrealism is in my blood; it's not an effort.

Tarantino's 'Django' amused me very much. It is as made by an adult that was still a child.

I am an artist, you understand? For me, a picture is like poetry. When you make art, this is not coming from an intellectual place. It's coming from the deep side of your unconscious, your soul.

Surrealism was necessary - essential, even - in the 1920s to bridge the gap between rationalism and the subconscious. It started something important. But by the early '60s, it had become petit-bourgeois; it was too intellectual and romantic, and had ground to a halt. It had become respectable.

George Harrison wanted to play the thief in 'Holy Mountain.'