Focusing isn't just an optical activity, it is also a mental one.

Painting is, I think, inevitably an archaic activity and one that depends on spiritual values.

For me nature is not landscape, but the dynamism of visual forces.

An artist's early work is inevitably made up of a mixture of tendencies and interests, some of which are compatible and some of which are in conflict.

In my earlier paintings, I wanted the space between the picture plane and the spectator to be active.

I work with nature, although in completely new terms.