Faced with the prospect of a black depression, Highsmith once again retreated into fantasy, dreaming about an affair with the actress Anne Meacham, whose picture she had seen in a magazine publicising her role in the Tennessee Williams' play, In the Bar of a Tokyo Hotel. After the disasters of recent years, she reckoned that the safest option was to escape into romantic imagination. She reviewed her failures over the past five years and concluded that 'the moral is: stay alone. Any idea of any close relationship should be imaginary, like any story I am writing. This way no harm is done to me or to any other person'.