Dorothy scratched her dark head, yawning wide, and white feathers floated out of her hair.

It came out sparkling like liquid sky.

It was long past midnight. Laura's music played on. It was composed in the language of stars, tinkling in a crystal pool suspended from constellations. She used chimes now and then, the chimes that characterized every patio in Arizona, the piano, the trees combed by wind. A prelude to a storm. It was like discovering the secret room in a dream of your house that holds all the magic. It was music I wished I lived inside. Around us, cactus, hills filled with jumping cholla, the heat of August like another animal heaving over us.

Without her glasses Vivian did look a little frightening. She had tight sinewy strappy muscles and a face that was hardened and almost brutal - a face that might have been chiseled by a sculptor who had fallen out of love with the idea of beauty.

...his voice was like the cracking of ice on a winter lake, and the words were mocking

In writing. Don't use adjectives which merely tell us how you want us to feel about the thing you are describing. I mean, instead of telling us a thing was "terrible," describe it so that we'll be terrified. Don't say it was "delightful"; make us say "delightful" when we've read the description. You see, all those words (horrifying, wonderful, hideous, exquisite) are only like saying to your readers, "Please will you do my job for me."

[Letter to Joan Lancaster, 26 June 1956]