Complexity is one of the great problems in environmental design.

The structure of life I have described in buildings - the structure which I believe to be objective - is deeply and inextricably connected with the human person, and with the innermost nature of human feeling.

Drawings help people to work out intricate relationships between parts.

Adequate information about the existing environment and about the types of place that it is desirable to make cannot be kept inside one brain.

We are searching for some kind of harmony between two intangibles: a form which we have not yet designed and a context which we cannot properly describe.

To work our way towards a shared language once again, we must first learn how to discover patterns which are deep, and capable of generating life.