Check out that one at the end. He's taken the form of a footstool. Weird...but somehow I like his style."

"That is a footstool.

Hippo in a skirt: this was a comic reference to one of Solomon's principal wives, the one from Moab. Childish? Yes. But in the days before printing we had limited opportunities for satire.

In recent weeks it has come to my attention that many caravans have met with disaster; they have not gotten through."
I grunted wisely. "Probably ran out of water. That's the thing about deserts. Dry."
"Indeed. A fascinating analysis. But survivors reaching Hebron report differently: monsters fell upon them in the wastes."
"What, fell upon them in a squashed-them kind of way?"
"More the leaped-out-and-slew-them kind. (...)

The Evasive Cartwheel ™ © etc., Bartimaeus of Uruk, circa. 2800 B.C.E. Often imitated, never surpassed. As famously memorialized in the New Kingdom tomb paintings of Ramses III— you can just see me in the background of The Dedication of the Royal Family before Ra, wheeling out of sight behind the pharaoh.

Not bad in short, though the last one [understanding the language of animals], isn't half as useful as you might expect, since when all's said and done the language of the beasts tends to revolve around: a) the endless hunt for food, b) finding a warm bush to sleep in the evening, and c) the sporadic satisfication of certain glands. (Many would argue that the language of human kind boils down to this too)

It's the same with spirit guises; show me a sweet little choirboy or a smiling mother and I'll show you the hideous fanged strigoi it really is. (Not always. Just sometimes. *Your* mother is absolutely fine, for instance. Probably.)