Carry on the Flame to a new dawn I am with you.
~the Goddess of the Stars and the Sea

I’m Temple Claybourne, an upright, warm-blooded hairy mammal, Caucasian, skidding into my fourth decade of existence, the progeny of meat-eating Anglo-Saxon tribal chieftains, left-handed, flat of foot, with low cholesterol and a predictably receding hairline, carrying a zero debt load, a nervous driver, nervous in crowds, nervous around women, hungry with curiosity, a collector of comforting, unnecessary things.

Everyone knows how to cook parasols—you soak them in milk, then dip them in egg and breadcrumbs and fry them until they're brown as chops. You can do the same thing with a panther amanita that smells of nuts, but people don't pick amanitas. They divide mushrooms into poisonous and edible, and the guidebooks discuss the features that allow you to tell the difference—as if there are good mushrooms and bad mushrooms. No mushroom book separates them into beautiful and ugly, fragrant and stinking, nice to touch and nasty, or those that induce sin and those that absolve it. People see what they want to see, and in the end they get what they want—clear, but false divisions. Meanwhile, in the world of mushrooms, nothing is certain.

Realism can break a writer's heart.

She believed in magic—the magic of places, the magic of people, the magic of coincidences, serendipity, and fortune. She enjoyed wandering through the world with the open mind and curiosity of a four-year-old child. In her world the mystical, mythical, and magical inhabited the same space and time as the ordinary and the practical. At Bethesda Terrace, she always felt close to a source of magic and creativity. It was as if she was tapping into the place where dragons, angels, gods, sorceresses, and demons came to life.

64. I am the blue-lidded daughter of Sunset; I am the naked brilliance of the voluptuous night-sky.