But you don't need anything. You have everything,' I tell him.
Rip looks at me. 'No I don't.'
'What?'
'No I don't.'
There's a pause and then I ask, 'Oh, shit, Rip, What don't you have?'
'I don't have anything to loose.

What do you do?' she asks, holding out the vest.
'What do you do?'
'What do you do?' she asks, her voice shaking. 'Don't ask me, please. Okay, Clay?'
'Why not?'
She sits on the mattress after I get up. Muriel screams.
'Because... I don't know,' she sighs.
I look at her and don't feel anything and walk out with my vest.

I come to a red light, tempted to go through it, then stop once I see a billboard sign that I don’t remember seeing and I look up at it. All it says is 'Disappear Here' and even though it’s probably an ad for some resort, it still freaks me out a little and I step on the gas really hard and the car screeches as I leave the light.

what's right? If you want something, you have the right to take it. If you want to do something, you have the right to do it.

And as the elevator descents, passing the second floor, and the first floor, going even father down, I realize that the money doesn't matter. That all that does is that I want to see the worst

Are you as much of a criminal if you don't act when there's a crime taking place in front of you as you are one of the participants? That was something that I was thinking about a lot because there are many moments in 'Less Than Zero' where horrific things happen and Clay could do something about them, but his passivity stops him.