But here, just at this point: this is limbo. There is the sense that if you stay at this point for too long, stop at this point of oblivion for a certain amount of time, you will just cease to exist. And we cannot move.

For 'Filth,' we had about 12 producers on the thing. The opening credits go on for months. Most of them are actually financers rather than producers. And the only way that we could raise the budget without interference from a studio was to have a lot of different financers on board.

I don't want everything to be flowery perfection. I like it there to be a charge behind it, you know?

I've eaten ice cream from all over the world, but until you've tasted Graham's from Geneva, Illinois, you haven't had ice cream at all.

I think that every project offers an opportunity to reinvent process as well as content.

I go to the gym and work through a routine. But if you see someone with a personal trainer, you know they do 10 times more than you do. You give up your sense of identity. If you watch 'The Biggest Loser,' you see people give up their identity to become something else.