As much as they are free forms, they are still landscapes. He always wants to show the landscape.

To the complaint, 'There are no people in these photographs,' I respond, There are always two people: the photographer and the viewer.

Everyone wants that instant landscape.

Outside, metal wants to return where it came from ? the dirt.

A garden should make you feel you've entered privileged space -- a place not just set apart but reverberant -- and it seems to me that, to achieve this, the gardener must put some kind of twist on the existing landscape, turn its prose into something nearer poetry.

The landscape for intellectual property has totally changed.