As a director, when you embrace a project, you try to understand as much as you can about its world, and you do that by embracing and engaging with people who are in that world. Then it's down to your best instincts, which is what most directing is about anyway.

I travel light as a director. I don't have monitors on my set.

I want to go to film college to learn about the departments and how everything works. Then I'm going to start directing.

If you try to do your best there is no failure.

I'm fascinated by musicians who don't completely understand their territory; that's when you do your best work.

Some hugs were awkward. One person’s arm headed over the other’s shoulder just as that person was mirroring the action. So it would almost look like a defensive karate move in slow motion.

Sometimes, a guy liked to hug around the waist and if the girl was shorter, he’d straighten a little and she’d end up on tip toe. This had always made her feel like a melon being weighed for juiciness. From the wrong man, from any man really, it was a creepy hug.

Other hugs were comfortable, a perfect synchronization of arms crisscrossing around one another’s backs, a full, warm, brief embrace that said "I care about you" but didn’t cross any weird lines.