Art's development should be dialectical and not metaphysical.

Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time.

Nature does not proceed in a straight line, it is rather a sprawling development.

Painting, sculpture and architecture are finished, but the art habit continues.

Language should be an ever developing procedure and not an isolated occurrence.

A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.