Are you hurt?” the woman asks.
“Just my—” Even after the water, her voice comes out as a dry hiss. She clears her throat and tries again. “Just my ankle.”
“Can you tell us where the others are? Are they . . . ?” Charlie fades off, but she knows how the question ends.
“They’re still out there. Still alive.” Hallelujah will not think about the alternative. But by not trying not to think about it, she’s thinking about it, and it’s making her feel panicky. “I was the only one who could walk, so I—” She gulps. Draws in a shaky breath.
Charlie dismounts his bike and squats down next to her. “Go on,” he says. His voice is soft. His accent is southern. But not hillbilly southern. Deep South. He’s not from around here either.
She can’t believe her mind is wandering like this. She tries to focus.
“We found—Jonah found a trail, and I followed it to this road. They’re at a campsite by the trail. I . . .” Hallelujah falters. “I don’t know how far. I wasn’t walking very fast. We haven’t eaten in . . . a while. And Rachel—she’s sick. She was throwing up. And Jonah cut his leg and it wouldn’t stop bleeding. . . .”
“Jesus,” the woman says.

Related Quotes

After a few minutes, she speaks up again. “You’re next. Sing.”
Anxiety grips Hallelujah’s chest, squeezing. “I don’t sing,” she says.
“C’mon, it doesn’t matter if you’re bad. It’s not like this is a concert hall—”
“She’s not bad.” Jonah’s back. “She has a great voice.”
Rachel swings around to look from Jonah to Hallelujah. “Really? Now you have to—”
“No."
“But—”
“I don’t sing,” Hallelujah repeats, turning away.
Jonah joins them by the fire. The silence stretches out. Except it’s not really silent, not with the birds and wind and fire and how loud Hallelujah’s heart is beating. And then Jonah clears his throat. “You used to sing,” he says. “You were great.”
Hallelujah ignores the compliment. She looks into the fire. She feels the last of the day’s happiness fading away, already a memory.
“Why’d you quit?” Jonah asks. “Was it ’cause of Luke?”
Hallelujah inhales deeply. She feels the familiar spark of anger in her gut. “Yes,” she says. “It was because of Luke. And you. And everyone else. So thanks for that.” Jonah’s face drops. She can see that she’s hit a nerve. Well, he hurt her first. The way he took Luke’s side, shutting her out. The loss of his friendship, when she needed a friend most. The loss of their voices harmonizing, when she needed music most. How she just hurt him can’t begin to compare to all of that.
Kathryn Holmes
hallelujahhurtjonah
She stands there for a second, watching the bear go. The morning light has truly arrived, and she can see the bear clearly, smaller and smaller and then hidden by trees.
She starts to tremble. She staggers. Falls off the log, hitting the ground hard. The panic-breath is back. Her eyes well up, and for a second she can’t see anything, just her own tears. And she can’t breathe. And she’s shaking all over, jerky and painful, like Rachel was when she got too cold.
“Hallie!” She hears her own name as if from a distance, through the roar of blood in her head. “Hallie, come here. Hallie!”
It’s Jonah’s voice.
There’s something else: a low, keening, gasping sound.
“Hallie! I can’t get over to you. You have to come to me.”
It takes her a second to realize what he’s saying. And to realize that the keening, the gasping, is her. She blinks enough to see Jonah reaching out for her.
She pulls herself in that direction. Her arms feel like newborn faun legs, spindly and weak. She has no strength left. The bear took it.
Jonah’s arms go around her. He pulls her to his chest.
“Hey,” he says. “Hey, it’s okay. You did it. It’s gone. It’s okay.”
He rocks her like a baby, holds her like she held him last night. There’s no self-consciousness left. Just arms holding and voice soothing and hearts beating, and the hysteria passes and she drops off to sleep.
Kathryn Holmes
bearcomehallelujah