Are you happy here?" I said at last.
He considered this for a moment. "Not particularly," he said. "But you're not very happy where you are, either.

When I'm writing, I am concentrating almost wholly on concrete detail: the color a room is painted, the way a drop of water rolls off a wet leaf after a rain.

They were playing old Bob Dylan, more than perfect for narrow Village streets close to Christmas and the snow whirling down in big feathery flakes, the kind of winter where you want to be walking down a city street with your arm around a girl like on the old record cover

... I was disturbed by how many of my classmates disliked Thoreau, railed against him even, as if he (who claimed never to have learned anything of value from an old person) was an enemy and not a friend. His scorn of commerce--invigorating to me--nettled a lot of the more vocal kids in Honors English. "Yeah, right," shouted an obnoxious boy whose hair was gelled and combed stiff like a Dragon Ball Z character--"some kind of world it would be if every-body just dropped out and moped around in the woods--

Taking on challenging projects is the way that one grows and extends one's range as a writer, one's technical command, so I consider the time well-spent.

Mais, vrai, J'ai trop pleure! Les aubes sont navrantes. What a sad and beautiful line that is. I'd always hoped that someday I'd be able to use it.