And the lime juice is very important, too – it brings the taste forward in the mouth.

Try it over vegetables or even pasta, and you'll be amazingly happy with the taste results.

Yes, it seems that things like that should go on in London... It is better taste somehow that a man should be unfaithful to his wife away from home.

We're not used to thinking of vegetables in creative ways, and consequently the flavors are boring.

This was one time I didn't have to fight to keep my book healthy. It came easily. All those vegetables we're supposed to eat turn out to be really delicious.

Today, Chanel sells nothing other than its griffe; the griffe is an absolute symbol for 'fashion' which, having become historical, is now able to sell this history better than it could sell fashion. Chanel's lasting success proves that fashion has become self-referential: the fetish of the mere name shows how it has begun to revolve around itself. The House of Chanel produces what Coco most abhorred: a thing of the past, dead. The visible, outwardly displayed griffe has become the opposite of individualized style: instead it confirms the latent uniform collectivity, which had always defined Chanel-wear; in the end, it signifies membership of an expensive club. The Chanel woman does not want to display her own taste, she wants to belong. In order to be certain, she is laden with Chanel signs and accessories, like amulets to protect against the evil eye; on the pocket, on the belt, on the dress buttons, on the watch, on costume jewelry, proudly stand the initials of the founder of the house, to which she knows she belongs.