After three weeks of intensive rehearsals, both actors are stronger and a little bit bruised. We don't want this show to be gymnastic or acrobatic. The movement is abstract.

That's a bit late, isn't it? I have been working with my acts for three weeks now and I often text them and chat on the phone. Sharon flew into the country last week to be with hers. It looks like Simon only has a couple of days to get things right.

For the last three years we have been doing intensive verification in Iran, and even after three years I am not yet in a position to make a judgment on the peaceful nature of the (nuclear) program. We still need to assure ourselves through access to documents, individuals (and) locations that we have seen all that we ought to see and that there is nothing fishy, if you like, about the program.

We want to be caring and safe with them because we're experimenting with so many things. This is an exciting and challenging piece for me because I'm constantly working out in my mind what to do next. I am a person who likes to face the unknown.

My dancers call me Napoleon. I'm inflexible and dyslexic, but I love working with people. Because I care so much, I want to give everything I have and push others so that they can succeed and push to the next level.

When I wok up in intensive care after almost three weeks unconscious, I only realized how serious my injuries were when I saw my hands and feet were black. Then I put two and two together. . . . I'm definitely going to lose bits of my fingers and toes. And they say I could be in here for another six months.