A writing tablet evidences the writer’s mind shadows, the dark twin that sketches the meandering of our conscious mind and taps into the hidden resources of our unconsciousness.

Writing enables a person to build a protective barrier shielding them from an adverse environment, scrutinize their circumstances, and discover how to employ new perceptions to center oneself in a world filled with strife, conflict, violence, affection, beauty, splendor.

Writing is a solitary venture. Making use of a soundless void in the vortex of time the author enters the realm of restoration, an undertaking where he or she explores that private psychic space of the self. In this mystical state of heightened awareness, the writer investigates the soul’s grievances, and diagnoses and treats their grim afflictions.

All forms of creative thinking involve a struggle to conquer or master something, and usually that specific something eludes us completely. A personal essayist struggles to construct paragraphs and sentences to comprehend their authenticity. The essayist also labors to choose the right words that provide the proper degree of nuance to the texturized material. Language, which creates the grainy surface and content of sentences, reveals the pinging of the essayist’s mind at work.

A person gathers all their resources to compose a foursquare philosophy for surviving each day, an engagement driving at a union of seemly inapposite associations to spotlight an androgyny of inspiration for living better. Combating self-alienation, roving after dusk without a map, unsure of the topography that lies ahead, a sincere pathfinder tentatively picks their way by using penetrating low beams and flashing wide-angle high beams. Only by continuing on the bewildering path, can we find what we seek. The writer peers into the encasement of gloom seeking out a deferential of lightness and darkness in the midst of the incongruous elements that foreshadow a person’s peripatetic quest to steer a meaningful life. By displaying the coexistence and intersection of blackened sequential realism overlaid on a snowy field of internalized temporal legend, the narrator assiduously lumbers to shed a ban of moonlight on the battered pages of their brash secular existence.

The quality of any author’s effort at personal writing and thematic commentary hinges upon the author’s intrinsic limitations, personal vantage point, and personal capacity for tapping into their bedrock of repressed memories. Writing effectively also demands logical resources and facility for language. Plunging headlong into the murky unknown of self-discovery, one seeks to scoop out a rendering of their soul, clasp an expressive illusion of what teasingly lies beyond their grasp. Playing badminton with an idea that haunts their serenity, a writer swats the elusive birdie back and forth along the corpus callosum, the bundle of nerves that comprises the hemispheric neural highway that connects the left and right brain fiber. An author’s ameliorative depictions on paper are a byproduct of inter-hemispheric dialogue carried out between the two rival parts of the brain’s interlocking neuroplasticity. The resultant succored scribbling reflects a tentative truce reached between these split-brain fractions hosting tangled sentiment. The resulting manuscript marks the author’s laborious chore of assembling scattered thoughts and fastening jumbled memories into a lacquered illustrative depiction.