A work will only have deep resonance if the kind of darkness I can generate is something that is resident in me already.

There's something imminent in the work, but the circle is only completed by the viewer.

What interests me is the sense of the darkness that we carry within us, the darkness that's akin to one of the principal subjects of the sublime - terror.

I think I understand something about space. I think the job of a sculptor is spatial as much as it is to do with form.

Much of what I make is geometric, and has a kind of almost mathematical logic to the form.

Work grows out of other work, and there are very few eureka moments.