[A long friendship with Milton Glaser resulted in another intense collaboration.] We used to sit together and have long conversations, even though he did not speak English and I do not speak French, ... so we decided to celebrate our misunderstanding and do a book together. The book is a back and forth continuous tableau titled 'The Conversation.'

Computers are to design as microwaves are to cooking.

All the things you're not supposed to do at the beginning of your professional life - transgressiveness, arbitrariness and violating expectations - you find more attractive at the end of your professional life.

To design is to communicate clearly by whatever means you can control or master.

I do not want to say I'm a product designer. I've been trying all my life to not be categorized, to learn something and then to forget about it.

If you can sustain your interest in what you’re doing, you’re an extremely fortunate person. What you see very frequently in people’s professional lives, and perhaps in their emotional life as well, is that they lose interest in the third act. You sort of get tired, and indifferent, and, sometimes, defensive. And you kind of lose your capacity for astonishment — and that’s a great loss, because the world is a very astonishing place.

What I feel fortunate about is that I’m still astonished, that things still amaze me. And I think that that’s the great benefit of being in the arts, where the possibility for learning never disappears, where you basically have to admit you never learn it.